#charles: makeup edition
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beetlebug---1 · 16 days ago
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Charles: a makeup experiment 💄
this was a request from @ro-doodles! if anyone has any ideas for me to draw, feel free to request them in my ask box 😋
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domistique · 4 months ago
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this picture is painted on the inside of my eyelids. I wake up at night and this image flashes before me
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asidian · 3 months ago
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DBDA Meta Commentary Roundup
Okay, I'm getting tired of scrolling back to find my own posts, so it's time for a roundup post for my DBDA meta commentary.
Meta Commentary:
Why you should watch Dead Boy Detectives
Charles is a people pleaser
A very large snake as a reference to hell
The same lantern
Edwin knows the Misery Wraiths a bit too well
Why Charles is upset by more than just jealousy re: Monty
The white kimono
How Crystal and Charles' character arcs intersect to make an absolute trash fire
You can talk to me about anything
Edwin's hidden kindness as Charles dies
Edwin's hangups re: emotion and how it ties into his time in hell
The silliest Clue edition
The Cat King's design changes when he starts a new life
Counting cats
Where is the Doll House
Edwin and Charles acting like they've known each other forever in tiny details
Esther has the cops in her pocket
The lantern scenes as an extension of the theme "The good you do comes back around"
Why Charles opens up to Crystal so quickly
Payneland endgame nods through leitmotifs in the soundtrack
Charles is super sensitive to criticism, even when it's not intended
The Season 2 in my heart
The hidden nod to history in the WWI ghost's makeup
Why Charles' death is so much worse than it seems
The brilliance of the first ten minutes
The ship of all time
The incredible women of Dead Boy Detectives
Edwin's bowtie
Crystal and Charles as mirrors and projections
Bi disaster Charles Rowland
Edwin can knit
Chekhov's snake-slaying sword
Murder night movie time
Why Charles was more of a hero than he knew
What the doll placement says about Edwin's many deaths
Charles smiles for other people
The absolute fridge horror of That One Gate in hell
Set Design:
Charles' room
The London office
The boys' detective license and its source
Tragic Mick's shop
Niko's room
Cameos:
The boys' early relationship and how they've influenced each other
What the boys do together in their downtime as leisure activities
A brief in-character skit of an ordinary day at the office
Tidbits about the characters that didn't make it into the show
Color Symbolism:
Red
Blue
Pink
Green
Green (alt)
Purple
Orange
Brown
Black
White
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hauntedrain · 11 months ago
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New Year, New me | Charles Leclerc x fem! reader | 
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Summary: Charles cares about your opinions, even when it comes down to a new haircut. 
A/N: so of course this is about his new haircut, and personally I like it <3 so I based a lil something off of it. Also this is badly written cuz I was half asleep writing it but I hope you like it.
Warnings: the normal; not edited, really short, more of a Drabble tbh (500 words).
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 He was scared—most definitely scared. He liked the haircut—a new change for the off-season—but nonetheless, he was scared. He didn’t tell you about his plans for his haircut; he didn't even bring it up that he’s going to get one. So on his way back to the apartment, he was stressed. Would you like it? Hate it? wish it was different?
He knows you would never downright say you hated it, disliked it, or even commented on it if he enjoyed it. But he wanted your opinion; he knew how much you liked his hair before, and he’s seen a lot of stuff on social media about people's significant others getting a haircut and not liking it or them the same as before. So now that he was walking to the apartment he was preparing for the worst. 
    “Ma chérie, are you there?” He called out while closing the front door and facing an empty entryway and living space.
  “I'm over in the room, Char!” You called out.
    He put down the few small bags he had in his hand along with his keys as he walked over to your shared bedroom. He didn’t initially see you as he walked into the bedroom, but once he noticed the lights on in the bathroom and the slightly open door, he found where you were. He moved over and slowly opened the door, and he was met with you putting on what he assumes is a form of lipgloss or lipstick. You didn’t immediately notice him as you were too focused on your makeup; however, once you did, you turned around and hugged him, not noticing immediately the major change he made to his hair. He nuzzled into your neck and shoulder while returning the hug. You guys stayed like that for a bit until he pulled back a bit, looking down at you.
    "Oh my god, you cut your hair!” You said this while looking up at him and finally noticing it. You ran your hands through the top part of it that was still fluffy while smiling a goofy but surprised smile.
 “Yeah, do you like it?” He asked sheepishly while holding you.
    “It’s pretty cute, you didn’t tell me you were gonna cut it. Was it a spring of the moment type thing?” You asked pulling him over to sit on the bed while you stand in front of him.
“I mean yeah, kinda. I wanted something new for the new year.” 
    “You took ‘new year, new me' seriously huh?” You said smiling at him while running your hands through his hair again. “It’s pretty though.” 
“Thank you, ma chérie. I was worried you wouldn’t like it.” He said messing with the bracelets he was wearing. “But I’m glad you do. Now we just have to see what the fans think of it.” 
“Bet they’ll like it, for the most part.” You said slightly laughing while going back to get ready for the event later that evening. 
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read-write-thrive · 3 months ago
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saw @tma-thoughts ‘s post talking about not enough butch charles rowland and wanting to see more butch4femme painland and naturally I spent the entire rest of my day brainstorming, researching, and then drawing this time period accurate (to the best of my abilities) butch!Edwin(a? Edie?) x femme!Charles (definitely Charlotte/Charlie)
I have whole spreads of photo references for both of them but in case anyone is interested, Charles is inspired by rudegirl/ska punk/skinhead/punk/goth feminine aesthetics from the 1980s UK (even more specifically by the band The Bodysnatchers) while Edwin is inspired mainly by sportswear for women in the 1910s as well as what photos I could find of teenage girls during that era! in terms of Edwin reading as butch, I wanted to combine the shortest hair I could get away with (for the era and while still reading as Edwin—too 20s reads as too fashion forward which is not the vibe), as well as balance the line between sportswear (which imo reads as butch) and Edwin’s usual fashions. I also kept her makeup-free, accessory-free, and overall more “practical” in her dress to try and read as more butch. something to note that you don’t see here— Edwin is 100% wearing bloomers/trousers either as part of or underneath this skirt. I couldn’t get it to read correctly in the design but I need you to know they’re there lmao
feedback welcome (and further discussion even more so, I’m a slut for fashion history x character design!!!)
EDIT: now part of a series!!! part 2 (more sketches of Edwina); part 3 (lingerie!Edwina); & part 4 (lingerie!Charlotte)
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ccsainzleclerc5516 · 8 months ago
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This Is Where You Stand With Me (part 2)
Pairing: Charles Leclerc x reader
Warnings: none
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Part 1 here
Y/N's POV
"Hola madre!" I say jokingly as my mother answered the phone.
"Too much influence from Sophie's boyfriend or what?" She chuckles.
"Yeah, something like that." I laugh adjusting myself on the couch. "How are you? What's new?" I ask.
"Nothing much, I'm just going back home from work. What's up with you?"
"I'm enjoying my day off from work." I say biting my lip not sure how's she going to react to my new "job" which I haven't told her about yet. But I'm certain she's not going to be thrilled about it.
"What do you mean y/n? What work?" As soon as she says "Y/N" I know there's no joking anymore.
"Well," I take a deep breath before I continue. "First of all, don't freak out, it's only my temporary job, you know while I'm here in Monaco with Sophie. And second of all, I started working for Ferrari practically. I'm managing their social media."
"Explain it a bit better, please. What does that mean?" She asks confused.
"Basically, I'm spending a lot of time with their drivers. I'm filming them for social media, like when they're getting ready for the race, asking them some questions, filming behind the scenes like what happens before the race, filming them training and stuff like that you know. And I edit those videos and then post them." I try to explain to her as simply as possible. but my mom, like most others, is not on the internet, she is not interested in the world of social media and probably still does not understand why anyone would be interested in any of this.
"So who are you filming then? Sophie's boyfriend and?"
"Carlos and Charles." As I say his name my mind wanders briefly to Charles and the grand prix from last weekend. I wonder how he is, and if he talked to Ava. and what happened between them afterwards. I also wonder if he has already thrown somewhere the bracelet I gave him. As I've already said, you just never know with him.
"Y/n?" My mom's voice snaps me out of my thoughts. "Are you even listening to me?"
"Sorry my thoughts wandered for a moment. What did you ask?"
"I asked if you are satisfied with that job? Are you treated well? What are those boys like?" Like any mother, she worriedly asks a million questions and I, like any other daughter, of course, will not tell her everything in detail.
I have always been close to my mother, but I never liked to share every detail of my life with her, even though she wanted to know it. But I just wasn't comfortable with her knowing all my private things. I believe that you can be close to your mother, without her being involved in all your decisions, attitudes and thoughts. We talk more or less about everything, but I have set some boundaries for myself about what I want to share with her and I think that's exactly why we have a relatively good and healthy relationship.
"Yeah, I mean it's not something I'll do forever, it's just a temporary type of thing, so while I'm here I might as well earn some money." I say. "And everybody's nice to me, of course, I already told you that Carlos is a wonderful person and boyfriend to Sophie, and Charles..He's not so bad either."
"You don't sound so convincing with the other one." She says referring to Charles.
"Don't worry really, both of them are very nice, it's just that I don't know Charles very well yet and I haven't spent much time with him so I can't say much about him." I say honestly.
While talking to her on the phone, I get up and head to the kitchen to make myself some coffee. While walking to the kitchen, I pass by the mirror and almost get scared when I see what I look like. Shaggy hair in a bun, without a hint of makeup, braless in an extra-large t-shirt with a print of Los Pollos Hermanos that also serves as my nightgown and house slippers on my feet. I guess I'm not one of those ex girlfriends that has a glow up after a breakup, but oh well.
"Well, as long as you're happy and safe, I'm fine with it." My mom says. "And besides, I think it's good for you that you left Manchester for a bit. Stay as long as you want."
"Really?" I am a bit taken aback and surprised by her words. "How come you think so?" I ask while waiting for coffee to be poured from the machine into the cup.
"I-I.." Just as she was about to say something the doorbell rings. Sophie went to lunch with Carlos, I doubt they forgot their keys.
"Mom, there's someone at the door, I'll have to call you a little later, okay?"
"Okay, we'll talk later, bye." She says and I hung up the phone.
I leave my phone on the kitchen counter and just as I'm about to go into the hallway to open the door, I accidentally pull the cup with my hand and spill hot coffee on my right thigh.
"Ouchh!" I almost scream in pain while the hot coffee continues to pour down my leg. "Fuck!!" My eyes get watery from the pain and stinging. Cursing my clumsiness I grab a cloth and wipe my thigh which is burning more and more and the doorbell keeps ringing. I go and open the front door when none other than Charles is standing leaning against the door frame.
"Charles, what are you doing here?" I ask with a sniff. I don't open the door all the way, but just peek out with my head. The last thing I needed is him here while I'm crying over my coffee burn and looking like I got mowed by a tornado.
"Y/n, are you alright? Why are you crying?" He asks, his expression immediately turned serious as he tries to enter.
"I just spilled hot coffee on myself. Please don't come in.." I really don't want him to see me like this.
"Let me help you." He says ignoring me and coming in anyway closing the door behind him.
"No, Charles..I-I'll be fine." I say pulling my t-shirt down with one hand and still holding the cloth with the other one.
"Let me see." He bends down and removes my hand with which I'm holding the cloth. "You got burned well." He says.
"Yeah, I can feel it. It hurts pretty bad."
"Come here." He waves his hand for me to follow him into the bathroom. It seems like he has already been in this apartment before. They probably had some gathering at Sophie's, so he knows where everything is.
"Sit there." He says pointing to the tub as he takes a small towel from the shelf under the sink and soaks it in cold water. I briefly feel a sense of relief as he kneels down in front of me and places a wet towel over my burn.
"You know, I really appreciate your help, but I feel terribly uncomfortable-"
"Yeah, I already saw that you don't have a bra on." He cuts me off and my cheeks instantly get as red as the burn on my thigh.
"You don't have to point it out like that.." I can't help but chuckle a little at his nonchalant response.
"You really do have to stop embarrassing yourself in front of me." He laughs.
"Why did you come here in the first place?" I ask shaking my head.
"I'm here to pick up Carlos. We agreed to go to the gym together, and he said he would be at Sophie's." He says taking the towel off my thigh and soaking it again. "So here I am. Where are the two of them anyway?"
"They went out for lunch. I think they should be back any minute now since they've been gone for a while." As he comes back with the cold towel I notice that he's wearing the red bracelet I gave him last weekend. He puts the towel over my thigh again and gently presses it.
"And what are you doing alone in the apartment, except destroying it?" I really like this funny side of Charles. For I moment I wished he could be like this all the time.
"Certainly not waiting for you." I playfully answer back.
"Yeah, sure you aren't." He says confidently and I roll my eyes at him. "I'm going to clean up that coffee you spilled on the floor." You can see the kitchen from the bathroom, so he definitely made sure I knew that he saw the mess I made.
While Charles is cleaning up in the kitchen, I quickly go to my room and put on shorts and a bra under my t shirt. Since he's already seen me at my worst, I decide not to fix my hair but to leave it messy like this. It's already too late now to look presentable anyway.
"Have you put on a bra yet?" He asks shamelessly as I enter the kitchen.
"Has anyone ever told you that you can be very inappropriate?" I honestly ask him.
"Quite rude thing to say to someone who just helped you."
"Thank you. Charles. For your generous help." I say slightly sarcastically through gritted teeth. "Do you want me to check when they're coming back?"
"Why? Can't wait to get rid of me?"
"No." I roll my eyes. "I'm just asking if you're in a hurry."
"I'm not. I'll wait for him. I hope they'll be back soon." He says taking a seat on the high chair at the kitchen island.
"Do you want something to drink while you wait?"
"A glass of water will do."
I reach for a glass from the top kitchen unit and in the process I scratch the injured thigh on the handle of the lower element. I wince in pain and curse under my breath.
"Be careful, where is your towel?" Charles asks me getting up from the chair. Before I can say I left it on the tub, he's already back from the bathroom with it. "Sit there." He almost orders me and I do it obediently while he soaks the towel again in the kitchen sink. He moves my hand from my thigh and puts the wet towel over it.
I don't know why, but I decide not to tell him that I can do it myself. And he doesn't say it either but proceeds to hold his hand a little longer over the cold compress looking down at it and gently pressing on it. I lift up my head to look up at him and for a second we lock our eyes together without saying a word.
"I-I.." In a moment of nervousness I wanted to say something just to break the silence, but luckily I hear the front door open. Charles quickly moves his hand away and goes to the opposite side of the kitchen island clearing his throat.
"Hello..guys..?" Sophie says as Carlos and her enter the kitchen looking very confused at the scene before them.
part 3
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leafstranger · 27 days ago
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GATEway FATE
If anyone's been looking for a Final Fantasy themed event (with a focus on XIV) in the Midwest that's well-run from both a vendor and an attendee's perspective, I'll happily recommend GATEway FATE in St. Louis.
It's run by the same folks behind Anime St. Louis, meaning they've established their credentials and capability of running a convention.
Here's a write-up I did of it for cosplay friends:
Hotel:
double queen rooms sleep 6 comfortably; the couch pullout bed is in the entry room that opens onto the central courtyard, and then there's a door between that and the double queen room. We had 5 cosplayers with multiple cosplays, some armour, and we all managed to get ready easily.
Lots of tables and mirrors to repair/tweak things as needed.
Even though the bathroom is small, there are multiple other seated mirrors for makeup and preparation, and the bar sink makes it easy to get water even when someone's in the bathroom. We somehow all were very cheerful about the shower rotation.
Each room has a minibar with a bar-sized fridge with small freezer compartment, a coffee maker, additional sink, and microwave, so it's very easy to bring food in.
Breakfast is included, and features a custom omelette bar and buffet style stuff, plus fountain drinks, coffee, and tea. Omelettes are great, buffet is solid, and it runs from 6:30am-10am, so plenty of time to grab food. Made it very easy to eat properly in the morning.
There are fountains inside the hotel that make great backdrops, though the lighting isn't the best. There is also a fountain outside the hotel that is gorgeous, and some nice areas that make good sets for photoshoots. Lots of local folks who can also point you towards local photoshoot locations, and it's in St. Charles, which has a historic district that would make for GREAT photos, especially since it does get dressed up for Halloween. Or the St. Louis Botanical Gardens are a great place for photos.
Cons:
The air circulation in the hotel rooms should be improved as according to my aranet, the CO2 tended to be about 2k whenever people were inside.
The front room can get a bit noisy as it does open onto the courtyard, and soundproofing only does so much when there's a door.(edited)
Convention centre:
Connected to the hotel, so no need to go outside to get to it.
Lots of light/windows and climate control can be quite good/easily adjusted
Lots of rooms and side-rooms for panels, and easily accessible.
Food on-site, both by convention staff and by local vendors, incl. a vegan Japanese place, coffee/cafe stuff, and more. It seems to be configurable depending on what the conrunner wants (more on that later).
10-15min walk to an Aldi and small strip-mall; Cracker Barrel across the little road from the con centre if you want Americana.
Convention itself: No surprise, as this is run by the same person who does the larger Anime St. Louis in the same place, but it was well-run. Things of note:
In rooms where there was going to be a lot of activity and/or cosplayers, such as the Worst Cosplay Contest panel, the AC was usually cranked pretty low to prevent people overheating (though they did forget in the green room of the actual contest, but that was remedied pretty quickly?)
Themed food on-site for reasonable prices and generous portions; I had the Starboard/Larboard chicken tenders and couldn't finish it despite it being good. The boxes were so cute. Verie had the Last Stand burger and said it was decent, and a lot of food. They had vegan/gluten free options as well.
Panels were a lot of fun and varied; I actually felt bad to miss some but was running around with friends a lot.
Lots of places and times to hang out with friends and chat; there were tables and chairs everywhere and that ensured that nobody was standing for too long in uncomfy shoes, etc.
Concerts were great, as was the drag show. There was a Q&A with the queens in the hotel lobby afterwards and the main question from all the cosplayers was, "HOW DO YOU GET YOUR WIG TO STAY ON THROUGH CARTWHEELS?!?!" Highly, highly recommend the drag show, it was SO much fun and hilarious to see the drag show newbies, incl. Bakool Ja Ja's VA's PARENTS, gleefully waving tips and interacting with the performers.
VA guests were quite accessible and happy to chat. I didn't have things for them to sign (their specific merch sold out fast), but there weren't many lineups.
Hotel being attached meant that it was easy to take over a table and hang out with friends in the indoor courtyard. There's a pool and hot tub as well, apparently.
They're prepping year 2.0, and are going to take into account feedback from 1.0.
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raincitygirl76 · 4 months ago
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I reblogged a post a few days ago about costuming in Dead Boy Detectives, but I can’t find it now. The OP made comments about how Crystal’s clothing choices are so different after she lost her memories rather than before she lost her memories. Crystal Surname-Von Hoverkraft wore dramatic makeup, designer clothes, very body-con looks, acrylic nails, sometimes straightened her naturally curly hair. Presumably to look whiter.
Crystal Palace wears minimal makeup and comfy clothes which look like they’ve been thrifted. And she doesn’t straighten her hair.
Crystal’s post memory loss clothes probably WERE thrifted. She had no ID and probably no money on her when Edwin and Charles exorcized her. Whatever clothes she had besides what she was wearing at the exorcism are probably provided by Charles and Edwin. Who likely had limited amounts of cash. So she would’ve gone to thrift stores to find clothes to wear.
Edited to add:
@k-pepp came through! This is the original awesome post from @deconstructthesoup ! Go read!
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brf-rumortrackinganon · 8 months ago
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What’s your pov on her pregnancies? Of the body or surrogate?
I'm opening Pandora's Box tonight in honor of the eclipse.
I'm 80/20.
20% of the body because:
There are tiny skinny-Minnie people in my family who didn't gain any weight during their pregnancies except in their faces and in the baby bumps (as photographs of Meghan depict), so I know it's possible.
That one appearance of Meghan where she accompanied Harry but hid backstage until he cajoled her out. She was not looking her best that day (very puffy, bloated face) and seemed a bit angry, to me, at being called out/forced onto the stage to stay hello.
Padding the bump - which some celebs do, especially when their bump isn't the typical "cute" baby belly - can explain the difference in sizing day-to-day.
How early it was announced.
How long it took Meghan to lose the baby weight - she was still carrying a lot of extra weight at Trooping 2019 (and the weight gain was amplified for me by poor styling choices with her hair, hat, and outfit).
80% surrogacy because:
There was no PR about Meghan's pregnancy compared to Kate's, and Meghan has always done the "anything Kate can do I can do better" PR competition every chance she could. If Meghan had terrible morning sickness, it'd have been all over the tabloids about how much worse than Kate Meghan's morning sickness is. If Meghan didn't have any sickness, it'd have been all over the tabloids about how much better and hard-working Meghan is during her pregnancy.
The excessive belly-groping and coat-flicking. Yes, she was doing that on purpose to get all the cameras and attention, but IMO she was doing it so excessively that it crossed into "the lady doth protest too much" territory for me.
The bending over and squatting down with knees and feet together. I've never been pregnant but I am a bigger girl who carries her weight in her midsection and who also cannot bend or squat down with knees, ankles, and feet together.
The alleged deal she had with Trevor that if she had a baby, he would pay for a personal trainer and a nutritionist and a nanny so she could whip her body back into shape. That's not someone who wants to be pregnant (but of course, people *can* change their minds. But still.)
The "rules of engagement" that Meghan and Harry sent to their Windsor neighbors/community about how the neighbors couldn't speak to the Sussexes or take their photographs.
The inconsistencies between what Harry reported in Spare and what the Portland Hospital's actual procedures are and the people who were involved.
Meghan choosing to deliver at Portland instead of Lindo and refusing to serve the baby on a silver platter after birth. The Lindo photocall is one of Diana's five* iconic photos. Are you telling me that Meghan happily copies Diana's outfits, copies Diana's pregnancy woes (emotional/mental distress to the point of self-harm), copies Diana's complaints about the BRF and the grey suits, copies Diana's second pregnancy announcement, and copies Diana's Panorama makeup...but she draws the line at copying Diana's Lindo photoshoots? And has a controlled photoshoot with one television camera and one photographer instead?
Meghan's birth "stories" matching more of the American Hollywood stereotypes than actual British practice.
Just one papwalk during all of her second pregnancy.
Hiding her belly with a giant-ass purse during the NYC baby shower after having spent the evening partying with friends, including Markus Anderson.
Harry's first appearance after Archie's birth being in the horse stables at Windsor instead of around the hospital (as William and Charles had been) and also Harry's "babies change so much in two weeks" comment.
Tacky social media influencer games with Archie's first photos under the guise of "privacy" - showing us the back of his head first, or his hand or his foot. Just show us the damn baby. No one cares about him that much.
Editing Archie's birth certificate.
Sara Latham bungling the media strategy for Archie's birth announcement. (Let's be real here. It's not Kensington Palace that fucked it up. It was the Sussexes' own people giving KP the wrong information in the first place.)
In the same vein of Meghan's "anything Kate can do I can do better" PR competition, there have been no stories about how Meghan felt of the early baby days. Kate and her family/friends have gone on record about how difficult the first few weeks with George were. Where is Meghan's equivalent? If Archie was a terrible newborn, then where are the stories about how much worse than Kate Meghan had it? Or if Archie was a happy, easy newborn, then where are the stories about how easy Meghan found motherhood? Instead the only story we got was "oops, it's feed time. Gotta go. Peace."
How early the pregnancy was announced.
How quickly (and suspiciously) the clinic/practice that Meghan used for her second pregnancy closed soon after Lili was born.
On that note, I don't subscribe to the theory that a lot of you may have (and which has ended up in my inbox quite a few times) that Archie doesn't know who Meghan is because he didn't smell her milk in South Africa and had a reaction. First off, PLEASE stop sending me that. I REALLY don't want to read about Meghan's breasts anymore.
Second, I don't think the Sussexes having nannies to help care for Archie is the kiss of death that many of you think it is. Some people just aren't baby people or little kid people. Some people like the older years better, when the kid can talk and is a little more independent and mobile. I've always suspected that that's Meghan and Harry, because all of their PR about wanting kids or liking kids has alwas featured older school-aged kids. They're not baby/toddler/early years people. And that's OK. That's not something to condemn them for.
And I don't think it's fully fair to call them out on their hypocrisy of what they said they wouldn't do as parents before they had children. Some of the hypocrisy is deserved (like the comment about not dressing their kids as Victorian ghost children but then turning around and giving Lili a Victorian ghost child dress for her 1st birthday photo), but they do deserve more grace than they're sometimes given; people just don't know how hard parenting or having children is until the baby is here. Yes, ding them for saying they'd never have a nanny but then turning around and hiring two or three, but also let's acknowledge that they know they can't (or don't, or won't, however you want to say it) care for their own kids themselves and hired responsible caretakers.
Finally third, I don't think Meghan ever breastfed those kids. Maybe she tried in the beginning with Archie, but if she did, she gave up pretty quickly. Those kids are formula babies. That's OK! So I don't buy the theory she was taking hormones and her weight gain was hormone-induced. Again, it's because of the missing "anything Kate can do I can do better" competition here.
*Diana's top 5 iconic photos are (in no particular order) the wedding dress portrait, the Lindo photos, the Taj Mahal photo, the Panorama photo, and the Revenge Dress photo.
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the-irken-pony · 3 months ago
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THSC Meta Voice Potential Backstory + Additional headcanons
Because my first post about them was long enough and also because there's a lot more headcanon than actual lore meat this time around.
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[ID: The "So that was a fucking lie" meme. End ID.]
I do go a bit in-depth with explaining some of them at the end, but I'm starting with the headcanons themselves. I want to focus on the headcanons rather than having the long explanations dominate the entire post. It's a bit of a different format than I usually do, but it's one I want to try out. (That and not all of them have explanations beyond "vibes" so I'm giving myself some leeway there.)
Starting with the "shock twist" headcanon: I do genuinely believe them to have once been a stick figure who lived in the THSCverse like Henry, Charles, Dave, etc., rather than having always been a disembodied string of text.
They were most likely a superpowered stick figure like Henry, but they probably had weaker, downgraded versions of their current timeline-stopping abilities (the FAILs).
Their other abilities (eg conjuration) arose as a result of their integration into the fabric of their reality, rather than being part of their default abilities.
They used to be a gadgeteer, and still engage with gadgetry off to the side.
Said gadgetry profession may be directly related to their disappearance, or their merging with their reality. No solid headcanon on what caused whatever happened to them but I do have a potential idea.
They had a criminal history before Henry, and have a kleptomania problem of their own.
They don't age, at least not anymore. They stopped after they integrated into the game.
Their attachment to Henry is in part because Henry is the only one who can actually see them anymore.
Road rage
As for explanations behind them, I’m breaking it into sections since it’s. long.
Gadgetry
First off, I wanna discuss their affinity for gadgetry (smth that @/stickthinks brought up in their THSC live blog that I've been fixated on ever since).
While the meta voice knows more about the various people and locales seen throughout the game than any one person in the universe feasibly could, their knowledge isn't limitless. Many of their comments seem to be guesswork rather than actual knowledge. Furthermore, for how much they seem to know, their attitude toward people in general is rather... blasé, and doesn't seem to be too partial to who Henry aligns himself with.
What they DO show a vested interest in is the various gadgets that Henry uses. The first example is actually the first two instances of the Teleporter in the remastered Breaking the Bank and in Escaping the Prison. In Breaking the Bank, they state that the teleporter uses new technology and is optimistic about its potential, and assume the fail in EtP is Henry not knowing how to use it.
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[ID: Fail screen for Breaking the Bank’s teleporter option which reads “it’s emergent technology. I’m sure it will get better!”]
Their first hint of actually knowing how stuff works comes from the Opacitator, in which they mention a Beta Testing phase; both words are specifically capitalized, implying that this is a formally named stage of development (I mean I would hope so).
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[ID: fail screen for the opacitator fail which reads: “you’d think something like that would come up in the beta testing.” The words beta testing are capitalized. End id.]
Where it's really revealed to have in depth knowledge is in the Wormhole Rifle fail, where we get its iconic info dump moment, where it gives a detailed run-down of the mechanics and makeup of the gun.
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ID: the fail screen for the wormhole rifle, which is a wall of text in a small font. It reads:
“I'm surprised you weren't able to get down there with that amazing portal technology. It's pretty strange how those portal guns work. I mean it combines the top scientific processes of our time. the portal gun contains a flux quantum generator which propels energy blasts with energy volumes of 4.23 GW with an average speed of 25 m/s. this speed is most effective because it allows the energy to be conserved while still maintaining a speed that is appropriate. The external plastic coating on the portal gun is constructed of a high polymer fireproof carbon fiber. this prevents the intense energy of the portal gun from burning the hands of the user. The intense energy causes intense heat. Oh by the way if you want a medal/achievement click here. I've heard that scientists still do not know what happens if two portals are placed on top of one another. The last time that was attempted... Well I'm sure you heard about it on the news.” End ID.]
What's interesting is that it mentions that there actually WAS an attempt to place two portals on top of each other, but doesn't go into detail about what. This could either imply that they simply consider it common knowledge not worth repeating, or it could imply that the subject is uncomfortable enough that they'd rather avoid it. The latter option could be an indication that they were actually present for the attempt.
Going further, they may have even directly worked on the Jetboots. The fail message is specifically a production note.
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ID: fail screen for the jetboots option, which reads “jetboots production notes: find lighter material to construct boots out of.” End ID.]
Their Original Form, And Why They Changed
The reason I wanted to go over that one first is because it ties into some other stuff. For instance, it proves that they’re more tied to the THSCverse than to our world. Especially given that, in the wormhole rifle info dump, they specifically say “it combines the top scientific processes of our time,” when the concept of a portal gun is still completely fictional in our world.
Additionally, they question our apparent inability to distinguish visually near-identical stick figures (indirectly acknowledging the player as not a stick figure by proxy).
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[ID: fail screen for the Toppy option which reads “they could tell you don’t look like Henry. What, you think all stick figures look the same??” End id.]
Thus, it’s reasonable to conclude that the meta is not only originally part of the THSCverse, but also that it is, itself, a stick figure (unless it became something else after their “ascension”.
As for other arguments proving their mortality, or pseudo mortality, they allude to three very notably organic behaviors:
1) they take a bathroom break during the calculator fail in std, suggesting a need, or at least the capacity, to eat food and drink fluids.
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[id: fail screen for the calculator option, which reads “sorry, I was in the bathroom. What’d I mi— Where’d… Where is everyone?” End id.]
2) they mention having a nightmare similar to the g-inverter effects, proving that they used to sleep, if they don’t continue to do so.
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[id: fail screen for the g-inverter option which reads “pretty sure I had a nightmare like this.” End id.]
3) they complain about their ears hurting from the Sonic pulse fail—direct proof that they can feel pain, even if they can’t die from injury.
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[id: fail screen for the sonic pulse option, which reads “That hurt my ears! >:C” The “>:C” is a drawn, angry frown that is right side up. End id.]
As for what happened to turn them into what they are now, I don’t have any solid ideas, just a possible suggestion. It ends off its info dump by mentioning an experimental attempt at putting two portals on top of each other, but trails off and dismisses itself with an assumption that Henry “heard about it on the news.” This could be its usual nonchalance, or it could be the exact opposite: discomfort. It's possible that they were there for the attempt, and the incident was traumatic in some way (either through the process of changing into what we know them as now, or the change itself).
Adjusting to New Powers
Even with the notion that they weren't always in this form, it's worth noting that they seem fairly competent with actually triggering a fail. We don't get any fails triggered on accident (the fake fail in EtP is deliberate as they directly reference the fact that you won't be able to read it all at once), nor do we get particularly awkward cutoffs (the closest being the Shovel fail, which is only there to give you enough time to stop the car). However, the specific style of the fail screens changes with each game, implying some amount of experimentation. This is amplified in the Breaking the Bank remake, in which the fail screen sound effect changes for each fail, which could suggest unfamiliarity on their part.
Furthermore, their ability to interact with the world and the game itself is slim to nothing until Fleeing the Complex, in which they access a command line. They also learn to interact directly with the player via pop ups. They do get a little carried away, though.
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[id: the fail screen for the slingshot option. The text has been replaced with a blue pop-up window reading “whoa! How did this happen?” The button is labeled “shrug”. The pop up window is split in half, with its left half on the right edge of the screen and its right half on the left edge of the screen, as though wrapping around to the other side. End ID.]
Their abilities get more advanced in Completing the Mission, in which they access a transform menu, have a voice clip, speak in text outside of a fail screen, and even summon objects into the world.
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[ID: Henry Stickmin trapped within a holding cell on the Toppat clan orbital station, holding a Bobby pin. Henry stares at an out-of-place lock on the metal cell door. Narration text reads “> Fine!? You want a lock? >THERE! There’s your lock!” End ID.]
Criminal History + Kleptomania
The fail screen in Midnight Surprise alludes to some past that we don’t actually see. The closest we get are the Explosives fail in BtB and C4 fail in ItA.
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[id: fail screen for the midnight surprise fail. First line reads “ah, just like old times.” Second line, in smaller text, reads “that was a poorly thought out plan…” end id.]
In general, they’re nonchalant about Henry’s crimes and sometimes try to give pointers to help out. Its comment on Henry’s failed bribery attempt even suggests they’ve committed briberies before, and multiple times.
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[ID: the fail screen for the bribe option. Text reads “Strange… That usually works.” End ID.]
As for their kleptomania, the multiple collectible-based achievements in the series aren’t just collectibles found in isolation of one another, they’re usually things that belong to someone else (Assemble the Crew may be an exception depending on interpretation, but a crewmate is seen in the Toppats’ vault so it could count as stealing). Additionally, they don’t serve any benefit beyond ticking up the achievement progression.
It’s worth noting that this is all done through the player’s hand and is entirely optional, but given that various fails give achievements, including via interactions with the fail screen text itself, we can most likely assume that the meta voice is at least partially responsible for divvying out achievements. Weak evidence? Perhaps, but I thought it was worth mentioning.
There’s also the pickpocket fail in which they cheer on Henry’s decision to take all of Isaac Binderson’s “loot”—immediately after questioning whether he really needed to.
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[ID: fail screen for the pickpocket option. First line reads “did you really need all that?” Second line, which is written with much smaller text, reads “No loot left behind!” End id.]
Road rage
Half joke
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[ID: The fail screen for the Hijack option, which reads: “AND you forgot to signal. Sheesh!” End ID.]
But also not
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[id: fail screen for the shoot option, which reads “eyes on the road man!” End ID.]
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houseofbrat · 8 months ago
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Something like this was always coming down the pipeline. Whatever the reason Middleton’s disappearance from public life eventually turned out to be, it was never going to be something fun. And now we know the precise shape of that darker reality. This video was followed by commentary from journalists and online mouthpieces that anybody who speculated about her whereabouts ought to be ashamed of themselves. Helen Lewis wrote a piece for the Atlantic headlined “I Hope You All Feel Terrible Now.” But it’s not guilt the public ought to be feeling. It’s a more wide-ranging kind of disgust about monarchy in general. I don’t blame Middleton for any of this. She knew what she was signing up for in joining the royal family, sure, but I think it’s right and human to feel sorry for a mother of young children who has received a cancer diagnosis. That said, turning the blame on the public at large is disingenuous. Yes, the speculation online has been insane. People undoubtedly took it too far, with the TikTok sleuthing, the prurience with which many engaged in conspiracy theories about where she had gone. The jokes look in very poor taste now. But it didn’t have to be like this. The manner in which the palace went about handling this situation produced that situation. We’re in the odd but useful position of being able to compare what happened with Kate Middleton’s cancer directly with the cancer of another royal at the same moment, King Charles. There, the palace announced enough information to keep nosy hordes at bay, and they did it promptly. What the palace apparently decided to do here was to allow speculation to reach fever pitch over a period of weeks, release an obviously doctored photo of Middleton, blame her for the editing job, approve a grainy piece of bystander footage of her leaving a farm shop, and patch all of this up by trotting out a woman fighting cancer to sit alone on a bench and tell us, in the kindest words they could write for her, to leave her alone. So, a big part of why this feels bad is that massive public relations failure by the palace. But it is also, to a large degree, an inevitable consequence of the fact of whom the royals position themselves to be, and the friction produced by their status in Britain. It’s important to remember that Middleton is not a celebrity in any normal sense. The Kardashians, people of perhaps equivalent fame, do not owe anybody any information about themselves, although they choose to give out a lot of it. But the royals do owe the public, in order to justify their existence. Middleton is a person whom the palace deemed it appropriate to parade out in front of the world media just hours after giving birth to each of her children, hair done, makeup applied. A person whose job, that which she earns taxpayer money for, is to appear in public: to shake hands, to be photographed, to grace schools and businesses with her presence. And she has to do this in strict accordance with the palace’s idea of what a princess ought to be. Polite, modestly dressed, humble, uncomplaining, smoothed of any rough edges that might constitute a personality. The idea that a person like that could just disappear, and people wouldn’t wonder where she was, is ludicrous. The royal family turns its members into figures who exist purely as spectacle, as glossy, likable ciphers for monarchical power. They have taught the public that they exist for us to see. That’s a hard lesson for people to unlearn.
Imogen West-Knights, "The Hideous Circus of the Monarchy," Slate
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randomfoggytiger · 8 months ago
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Collector's Edition: Bill Scully, MSR, and Pain (Part I)
How to melt the Abominable SnowBilly, Season 2 through Season 7 (IVF arc not included.)
**Note**: I had to eliminate fics not specifically related to an illness or injury because the word capacity on Tumblr is uncharitably short.
Loose chronological order below~
SammyLovesASOIAF's I Don't Want You Like A Best Friend
He chuckled to himself. The Scully siblings were a weird juxtaposition of different traits. Bill Jr. was strict, Melissa was carefree, Scully was careful, and Charles—well, he was always in absentia. 
AU-- Post One Breath Mulder is almost creamed by a firework before Bill Scully saves him.
@living-in-unreality/@television-overload/ContentsPriceless's beautiful (Ao3)
The pieces slowly come together in his mind, everything he knows about Fox Mulder. His mother must have seen it long ago, hence her willingness to help him this morning. And he would have stood in the way.
Bill Scully can see the love in Mulder's attempts to paint on Scully's makeup for her.
MldrItsMe's A Favor
“Should Dana be out of bed?” Bill grumbled.
Mulder involuntarily squeezed Scully a little closer to himself. “She asked me to,” he said. He thought better of adding “hold her” and just let the situation speak for itself.
AU-- Redux II Scully is suffering on her deathbed: 96 pounds and swiftly losing independence.
@scully-loves-ruthie's cancer arc: mulder sneaks a dying scully out
Bill will storm into her hospital room after, a firecracker beneath a teacup ready to explode sending the fine shards of his rage into the newlyweds.  He’ll find himself frozen his fuse stamped out at the sight of his sister’s frail and fading body wrapped like a puzzle piece inside Mulder’s arms, the couple sound asleep.
AU-- Redux II Bill doesn't rip Mulder's head off after finding out he and Scully were quickly married.
intrepidment's Bill and me
"You had talent for medicine, Dana, everyone admitted that. You would've had every right to be haughty, but you never flaunted your talent then. Then you changed your mind, you became an investigator, and suddenly you're this overconfident professional."
I opened my mouth to rebuke him, but I had to admit he was right. Somewhat. 
Post Redux II Bill and Scully have a siblings' semantics fight over Mulder's napping body.
amorfati3215/Amorfati32’s (FFN) Number 9 for the dialogue prompt.
Mulder hasn’t got very far when he hears Bill call out, stopping him in his tracks. “You’re in love with her, aren’t you?”
Post Redux II Bill gives Mulder his version of a blessing.
@lotsoforangesoutside/@lotzzoforangezoutside‘s (Ao3) Seven Pound and Six Ounces (Ao3)
He’s never held a day-old baby before this one.
And now, Fox Mulder can proudly say that he has held one, changed his diaper, and napped with the tiny thing like a log in the cradle of his arm.
With his other arm held by one Dana Scully, his hand holding hers. On the sofa in her big brother’s living room.
Post Emily Bill lets Mulder and Scully be.
soverysesual's The Truth Not Considered
He frowned as he observed the scene in front of him: his sister was sitting up, her head resting in an awkward position as she dozed, the mug of tea precariously balanced in one of her hands, while Mulder held her other hand grasped between both of his, as if he was clinging to her for dear life.
Post Emily Bill (reluctantly) helps Scully get comfy next to Mulder.
Marguerite's (Ao3) When the Bough Broke
Bill is standing between us and the embers of last night's fire. Scully has not stirred; I still keep her within the circle of my arms. Her brother's face is unreadable. I make a helpless gesture with my hand, but he stops me and points to my face. It's still wet with tears.
Post Emily Bill finally understands and becomes comrade-in-arms.
pen-paper-aliens/theficisoutthere/aka PPA's 95 ❤️
She’s still holding that hand when we walk in, nobody notices, or if they do, they don’t care. Bill notices too, but even he doesn’t say anything. What do you say to a mother who lost a child she never knew? 
AU-- Post Emily Bill lets his sister find comfort in her partner.
Jen's (mulderscreek)
Christmas Eve & Airports and Christmas & Mrs. Scully's House
"He's upstairs," Dana said and could swear she heard Bill mutter something under his breath. 
AU-- S6 Scully convinces Mulder to join her and her family for Christmas and ends up nursing his unexpected strep throat.
@baronessblixen‘s (Ao3) 
Christmas With The Scullys (Tumblr)
“My bed,” she says, just to clarify. She hears a clatter from behind her and doesn’t need to turn around to know that Bill is there and listening.
S7 Bill and Scully battle it out after she brings an injured Mulder to the Scully family Christmas party.
O Holy No - Chapter 7 (Tumblr)
“Where’s the guy?” he asks, chewing with his mouth open.
“Do you mean Mulder?” Her brother nods, stuffing more chips into his mouth. It reminds her of when they were teenagers and Bill, towering over her and Melissa, would steal their snacks and interrogate them, claiming it was his duty when their father wasn’t home.
AU-- Mulder and Scully, newly minted couple that they are, both fly out to Bill's house for Christmas... and are greeted with unexpected shenanigans.
Shoshana's
Almost Home (4/4)
"Hey, wife," he said, approaching her from behind.
Mulder wrapped his arms around her, resting his head on her shoulder.
"I don't think Bill suspects a thing," she told him gravely.
AU-- Post Requiem Mulder is returned with ongoing medical complications; but that doesn't stop the leftover Conspiracy or Bill Scully's lingering concerns.
And salliejohns's
Mr. Mulder, Mother Maggie, and Empty Place Settings
It was a big risk, but it paid off well. We were able to establish contact with our old boss and he came through for us, sending Bill Scully, Jr. a cryptic message about his dry cleaning.
AU-- S9 Bill is happy to find his sister and her partner alive in California; but that doesn't erase the pain of losing touch with his mother while Maggie raises baby William in hiding.
Hestia01‘s (Ao3) The Next Great Adventure Chapter 1 and Chapter 5
"Bill, they're here!"
Bill looks around, now looking concerned for his mother's grip on reality. "Who's here?"
"Dana's here! She brought Fox along, too! You can't see them, but they stayed!"
Giving his mother a pitying look, he nods indulgently. "Sure, Mom, whatever helps."
AU-- The crack adventures of Mulder and Scully after death (Skinner hoarding their poster and Bill getting his comeuppance included.)
@incidental-ao3/incidental's
Keep It All the Year
“Where’d he go?” she asked. He shrugged.
“Got in a cab,” he said. “I don’t know where to.” Scully groaned.
“Maybe one of you should stay put so the other can find them,” he said, but she wasn’t listening at all.
“He left his phone at the hotel, I bet he went back to get it,” she said, barreling passing Bill down the stairs and grabbing the keys.
AU-- S6 Mulder is dragged out to Scully's torturous family Christmas in San Diego, where the franchise becomes a complete disaster all the way 'round (Diana included.)
bluesamutra's una via - Chapter 4, Chapter 5 and Chapter 6
Dana had been at death’s door before he showed up at the hospital with a computer chip and a story straight out of a Michael Crichton book.  Bill had stood by in disbelief when she, a woman of science, trusted him enough to put it in her neck.
And yet.
And yet, he had watched from the shadows of her room, unseen, when Mulder crept into her room that same night and wept silently into her hand. 
AU-- Post Amor Fati Bill Scully's family reunion takes a serious turn when Matthew almost drowns and Mulder injures his shoulder during the rescue.
@scully-eats-sushi/ijustknew's
You're Not Alone and You're Not Alone II
She’d barely stepped inside their mother’s home before Bill had started inspecting her injuries, making her instantly regret not wearing a turtleneck. He went so far as to grasp her chin and tilt her head up to get a better look at them. Irritated, she’d shoved his hand away and declared “I’m fine” before stepping past him to embrace her mother.
Post Millennium Mulder and Scully are navigating their relationship post episode, with their own personal complications as well as her family, profiling, and on-the-job demands.
Red0313's Nothing Breaks Like a Heart
We make eye contact. He knows I am awake. I can’t even fake it. This should be good. Kick a man while he’s down, literally.
“Mister Mulder, I see you’re going to be just fine. That seems to make my sister very happy,” he huffs. Something’s eating him up.
S7 Bill observes his sister's pain and penance after Mulder takes a bullet for her.
Susan Proto’s Barbecue Series 14, The - Labor of Love
She must have picked up Matty, because all I hear from him now are soft whimpers instead of hysterical crying. And then I hear her ask, "What happened, Bill?"
"He got hit by the Harley. He ran into the street and got hit by the Harley."
A Harley?
AU-- Mulder has been bullied by Bill for years, and finally sets his foot down after the other throws away his engagement ring.
@tatooedlaura-blog/tatooedlaura/Laura Sprys​’s Always Been Yours
Mulder was out of the shower and in the kitchen helping Scully with a makeshift dinner when Charlie and Bill walked through the door. Scully's eyes swam again when she saw her older brother. Hugging her tightly, he looked over toward Mulder and nodded his head.
In shocked surprise, he walked over a shook Bill's hand, "hello again."
AU-- S7 Maggie is unexpectedly killed in a car accident; and Bill keeps to himself while Mulder prevents Scully from falling apart.
Thank you for reading~
Enjoy!
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hyperraduo22 · 5 months ago
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‎ ﮩ٨ـﮩﮩ٨ـ ♡ ‎ﮩ٨ـﮩﮩ٨ـ
┊ .˚ 🎙️ welcome to hyperraduo22 !!
the station that never stops tweaking ༘┊͙
__________________________________________
𓆩♡𓆪 ‘ About this blog ,
she/they 🩷💛🩵
beautician
blog recommended for 14+ (i curse and may discuss mature themes once in a while but i don’t post nsfw)
multi-fandom 🤝 dead poets society main
fanon / headcanon knox enjoyer (i’m just here for josh charles playing a pathetic lover boy character with coke zero brown eyes)
ultimate charlie apologist and danburry sibling endorser
OTHER MAIN FANDOMS : the outsiders, the breakfast club, house MD, the group chat, emergency intercom, black mirror, A24, life is strange
࿔₊• ‘ Masterlist / Stations ,
100.1 ____ dead poets society top posts
long list of random headcanons (part 1)
my dps roman empires
what are the context of these images?
the cast of dps when they grow their hair out
gale hansen the man you are… + edit of the entire cast
100.2 ____ dps blurbs and analyses
how i characterize knox overstreet
my personal take on the todd anderson hair color debate - brought to you by a beauty school student (part 1)
explanation and misconceptions of determining hair color via a hairstylist perspective - how the level system works and why we get into debates about hair color using the todd anderson example (part 2)
mini analysis: the admirably tragic reality behind dead poets society
mini analysis on mr. perry’s character
mini analysis: the mistaken portrayal of chet danburry
mini analysis: how stick and spencer stand out
blurb: the original dps and the importance of art in life
mini analysis: where the dead poets fall under welton’s social hierarchy
small detail blurb: what christian religion is practiced in welton academy
100.3 ____ other dps posts
the dynamic of dylan kussman
little love for background characters <3
ginny and chet = sinjin drowning coded hc
how knox overstreet would do your makeup hc (detailed thread)
the alpha princess gf and slightly fruity bf dynamic
102.1 ____ random (may contain multi-fandom crossover content)
rsl and matt dillon
000.0 ___ more stations coming soon!
𓆩ꨄ︎𓆪
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charlie-lec-stories · 1 year ago
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Dirty Little Secret - Part 5.2: The whole truth // CL16
Pairing: Charles Leclerc / Original Female Character
Series Summary: Charles' wife went to The Other Side and came back, but her past did too.
Chapter Summary: Y/N finally finds what happened with Maud. Max has to risk everything for a friend and Charles does the one thing he never wanted to have to do again.
Series Warnings: Death, descriptions of CPR and a car crash, sexual comments and implied sexual acts, mentions of blood, mentions of suicide and depression.
Author’s Note: This is a special I decided to write inspired by Halloween and the Qatar GP, it's five parts long. It's the first time I write something for this page instead of editing thing I have written before, I hope you guys like it. Rate: +16 (descriptions of medical procedures).
•••••••••••••••••••••••••••••••••••••••••••••••
"En in dit laatste geval, zijn er de afgelopen twee jaar zes mensen vermist in het bosnd". Y/N heard Mikel Horton say on the news.
"Six people, that's crazy, Max". She told him and he just grunted.
"I don't understand why people think the woods are the problem". Maud added while applying her makeup. "I know it's a maze there, but if something happens that's literally the best place to hide, no one can find you there. If people are stupid enough to get lost, that's not on the woods".
"Well, I kind of agree with that". Y/N said, Max finally looked up from his phone. "I hid there the other day, to skip Math and that horrible test".
"You hid in the woods to skip that test?". Max asked incredulously. Maud just laughed out loud.
"Mate, my mom would literally kill me if I don't pass that test".
"She's gonna kill you for skipping anyways". And to that, Y/N had nothing to say. They heard a car park in front of the house.
"It must be him!". Maud said, excited. It was 7:55 PM. With Max and Y/N's help, Maud climbed out the window.
"Have fun". Y/N said and she smiled.
"I owe you guys!". She jumped down the remaining height and ran off to the car.
She felt chills with the anticipation of finally getting to go out with Connor. The warm Spring breeze moved her dress around and gave her hair a little messy touch that actually complimented her. She jumped a little when the car window rolled down and inside, she didn't find Connor. The guy in the car was a little older, maybe in his early twenties and he gave Maud the feeling that she should go back inside. His black hair covered his eyes a little, he kind of reminded her of the emo bands Max loved so much, but when he looked at her he didn't look that threatening. He told her that he was Connor’s cousin, Martin, and that Connor got out of practice late and asked him to pick her up and take her to Connor’s house. He smiled at her and she saw the happiness get to his eyes, blue like Connor's. Her phone buzzed in her pocket and when she pulled it out she saw her date had sent her a direct message on Facebook. "Did Martin pick you up yet? He's my cousin". She answered with a simple "yes" and got in the car with Martin. They talked for a few minutes, she told him about racing and he said that he knew nothing about that, but that he gladly hear all about it some other time they meet. She smiled at that, maybe Connor really liked her, he sent his cousin to pick her up and take her to his house after all, that must meant that he wanted her to meet his family at some point. Martin started telling her about his life in Amsterdam, but then Maud noticed that they were going in the wrong direction.
"This is not the way to Connor's house, you should have turned right, not left". He looked at her and, for a fraction of a second, Maud could see him frowning.
"I just need to do a 'quickie pit-stop'". Maud felt her heart skip a beat. 'Quickie pit-stop' was something that she told Connor, one of those times they talked about races. How did Martin know that term if he knew nothing about racing? She tried to unlock the door, but for some reason, the lock wouldn't lift.
"What are you doing?" Martin asked her in harsh tone.
"I want to get out". She started pulling at the lock, desperately, but it wouldn't budge.
"What? Why?". He grabbed one of her arms while still driving.
"Stop the car, I want to get out!". With as much force as she could, she loosened his grip on her arm and tried to pull out her phone. He tried to snatch it from her and the argument turned into a fight. She did what she could to keep her phone and he tried to drive while moving his arm around, looking for it. He stoped the car in front of the woods and she took the chance to try and break the window. Martin, not having to drive anymore, finally took her phone away and threw it to the backseat. Then, he tried to keep her still, but she was fighting him with everything she had.
"Just stop it!". He yelled at her and followed that with a smack to her left cheek. Understanding that things could only get worse, Maud did what she could to jump on top of him and scratched his face as much as she could. She just tried to move fast, not giving him time to respond to her attack. Martin, on the other hand, was surprised by her fighting back. On top of him, and still attacking him with one hand, she opened his door and threw herself out of the car, falling harshly to the dirt road. Instinctively, she ran to the woods, looking for a place to hide. She could hear Martin calling for her and running not too far behind, but that only made her run faster.
The woods were dark and the little moonlight that filtered through the trees made the flowers shine. She tried to remember the type of flowers she saw, to make sure that she'll remember her path back home. The warm breeze she loved earlier became a humid atmosphere that made her sweat even more and between that and the fear she felt, her whole body was shaking. She found something that looked like a small cave and hid there, waiting for Martin to go away. She waited for what felt like an eternity, thinking about why she had to say yes to this date and how she could be so stupid to fall for all of that. All she wanted was to get back home, to turn back time and never jump out of that window. But she couldn't, and now she felt the humid air of the woods hit her skin like a thousand knives.
The minutes passed by and she thought that she was safe to get out and run back to the town. She barely made it out of the cave when a pair of hands grabbed her and threw her to the ground. She looked up, finding Martin on top of her, a pocket knife on his right hand. He never said a word and she wanted to know why. Why do this to her? Why? But she never got to ask, a sharp pain paralyzing her instantly. Maud wanted to look down, to actually see what he did to her. Looking down made it real and she wanted to forget. So she went back home, back to Max and Y/N, to her parents, to school. She went back to that morning and her mom making breakfast, the smell of the butter hitting the pan and instantly melting filled her nose. She went back to school and how excited Y/N and her were that Max was coming back from his karting race in Spain. Then to that afternoon and all the planning they made for the fake sleepover, how her best friends promised to help her choose an outfit, without even thinking that it would be the last thing she ever wore. She remembered the last hug she gave her parents before getting out of the house. She was so deep into the memory that she never felt the second stab, or the third, she didn't feel anything, just her mother's arms tightly around her frame as she breathed in her perfume. Lastly, she went to one special memory, the day she met Max. She knew that he was the one the moment she saw him, but she was so scared to ruin their friendship. She looked at the flowers, shining in the dim moonlight, all orange, yellow and purple. Closing her eyes, she let Max's blue orbs be the last picture she brought up.
Martin felt like he couldn't stop, maybe he didn't want to, he didn't know, but he had already done it. He got up and looked at the kid one more time. The mess he made was terrible for the business, but the merchandising was useless dead, so he didn't care much about that. But it was a shame, she was prettier than most. Still, there were a lot of 14 years-olds naive enough to pick up. By the corner of his eye, he saw some movement, like a shadow, and before the predators could smell the blood he decided to leave. Those woods were a lot more terrifying that he expected and now he felt more like the pry. He saw the shadow again but this time, he didn't feel threatened by it, in fact, he felt like the shadow was glad of what he did. He looked back, discreetly, and saw the shadow cover the body of his victim. A sense of safety fueled his body and gave him the strength to run back to his car, he wasn't that deep into the woods anyways. He heard some rustling behind him and stopped in his tracks to watch the body be dragged into the small cave. Assured that the evidence of his crime was erased, he finished his run to the car. He never expected to encounter the supernatural, and for sure he never expected it to help him cover up a homicide, but he was glad that he did. Back at the car, he picked up the girl's phone from the backseat and texted her friends, letting them know that she was having the time of her life with Connor and hinting that she wanted it to never end. Around 10 PM he told them to go to sleep and they told him, or their friend actually, that they were going to bed and that she should call them when she was going back to the house so they could help her through the window. He sent a smiley face and after 5 minutes turned the phone off. He drove back to Amsterdam, broke the phone and threw it away. He expertly covered his tracks and started working on the next clueless girl he could find on Facebook.
The tears in her eyes made the adjustment to the darkness of the cave a lot harder and her shallow breaths weren't enough to let the oxygen into her lungs. There was this suffocating hurt inside her chest as she felt what Maud felt that spring night, over a decade ago. She hugged the jean jacket close to her chest wishing for it to be full of life, full of Maud. The silence around the cave was deafening, like she was unable to feel anything. But then, she felt the faint touch of hand on her shoulder. Not letting go of the jacket, Y/N turned around ready to face her destiny in the hands of the shadow, but instead, she found her little friend, still 14. She looked exactly as she remembered her, her bright blue eyes and shiny blond hair, the beautiful half smile that always adorned her face was still plastered on her features, like it never left. Y/N extended her hand, slowly, afraid that the smallest of touches could make her disappear. She noticed her hand was a lot smaller, her wedding ring baggy on her finger and it caught Maud's attention.
"Your wedding was so beautiful". Maud said in a whisper and Y/N felt herself shred more tears at the sound of her voice. She missed her voice so much. "I remember how we used to talk about getting married and our weddings when we were younger. I'm so happy that you got to live that. You deserved it".
"You deserved it too". Maud smiled at that. Y/N recognized her own voice a lot higher in pitch. She understood then, they were back to were they left off.
"Max looked great. I couldn't help but think about how good he would of looked at our own wedding". They shared a bittersweet giggle.
"He still loves you, so much". Y/N could see the pain in her friend's eyes.
"I know and I will always love him, but he needs to move on. He needs to be happy. You should have never came back here. You should've stopped looking for me long ago". That confused Y/N.
"What do you mean? You came to me after the crash, you asked us to come back". Maud shook her head quickly, frowning.
"I can see you, but I could never contact you out of the veil. It was her, the shadow, she was the one that lured you here". Maud looked around, making sure they were still alone. "She's... death. The Death, or, I guess, one of them. She feeds on us, the living, every time one of us dies. She lives in the woods and, at night, she gets people and eats them. Like she ate me".
"She's been trying to eat us, all this time". Maud nodded.
"I've heard her for years, complaining that you and Max never got out of the tent. She loves it when people give into her, she doesn't like to take you, she likes to break you. She likes to get healthy people and make them... I can't even say it. She says that it tastes better". Y/N shut her eyes tight, disgusted.
"But how did she make me see you like that? She was never able to do that before". Sha had never hallucinated before, not matter how hard the trip to the woods was.
"When you died, in Qatar, you crossed the veil. She saw that and you bonded, she bonds with everyone that crosses. That bond probably went back with you when Charles and the doctors brought you back". Y/N remembered her crash, and for the first time, she was able to remember the short time she was dead. She saw Charles, trying to bring her back, desperately doing CPR, begging her to stay with him. Then, in front of her, there was the shadow. It got closer and closer, until it touched her face. She felt like everything got colder and Charles' voice was further away. Looking down, she saw how she was flowing into the shadow. But when she thought she was gone for good, she barely heard someone yell "clear" and a burst of energy went though her. The next thing she remembered was waking up in the hospital, Charles by her side and Maud's rotten figure at the foot of her bed.
"She just wanted me to come back to the woods so she could take me. She knew I would bring Max too". Maud looked at her, sad.
"The only way for you to get rid of her is destroying her".
"We have to go to the camp, we need to tell Charles and Max to leave. She's gonna try and get them too". Y/N tried to get up, but Maud placed her hand on her shoulder again and stopped her movements.
"We can't". She saw the confusion that tinted her features and the realization hit her. "Oh no". Y/N just looked at her, impatient. "Y/N, love, you're almost dead. That's the only reason you can see me, you're at the veil again". Maud took Y/N to the entrance of the cave and showed her something outside. "That's you, holding onto the little life you have left. She hasn't took you yet, once she does, she'll bring your body here, to her collection. Like she did with me. For now, she can't take you. You haven't given up. Charles and Max have to find you and bring you back. But you have to destroy the shadow first, or she'll haunt you until she can take you".
Max and Charles ran to the cave as soon as they understood that Y/N was taken by the shadow. At the entrance of the cave, Charles faced a sight he saw before but he never wanted to see again: his wife dead. Max, who had took a bag from the camp before sprinting off, kneeled next to her and took her pulse. Sighing, he opened the bag and took out some needles. Charles looked at him puzzled.
"You have no idea how much illegal stuff you can buy on the internet if you have enough money". Max told him, sensing Charles' confusion. "Now I'm sure. The shadow, I know what it is".
"What is it?". Charles wasn't actually sure if he wanted to know the answer to his own question.
"It's a Reaper. A Death. I suspected it with the amount of people that went missing here in the last 15 years". The Dutchman moved Y/N's body to make her lay face up and with her arms and legs extended. He then turned around, towards Charles. "Listen. This needles have two cocktails. One to stop the heart, one to restart it. You are the best one doing CPR, Charles. You brought her back once. I need you to bring us back again".
"Us? Max, what the fuck do you thing you're doing?"
"Do you really think that the Reaper will let her go again so easily? Someone has to give her a hand, I'm not good at CPR, not as good as you. You can bring us back". Charles knew that arguing was pointless. "Start doing CPR to Y/N, I'll inject myself. Give me 90 seconds. She she'll be back by then, and you inject me the other other cocktail. There's a hand defibrillator on the bag. If I don't come back in two minutes, use it on me. I promise you, Charles, I'll bring her back to you". And with that, Max laid next to his best friend and stuck the needle in his arm, while Charles started CPR on his wife... again.
"She's back". Maud informed Y/N while they hid in a corner of the cave. They had spent a minute trying to think how to defeat the shadow.
"We have to attack it now. I've been dead for three and half minutes, I have to go back before seven or I'll have brain damage". Y/N told her. They had no plan and no weapons to attack this being that they didn't even know how to kill. But if Y/N had to go, she'd go swinging. They were about to jump on her when Max suddenly appeared next to them. He looked young again and for a second, everything felt fine, they were all together again.
"Maud". Max said, perplexed. She smiled at him, without thinking, they both jumped to each other, melting on the hug they waited so long for. "I love you. I have loved you my whole life".
"I know. I love you too and I always will". He squeezed her tight, but she knew they couldn't waste time. "Listen, the shadow is-"
"A Reaper". Max finished, proudly. "I figured it out".
"We have to destroy her or she'll never leave Y/N alone. But we don't know how". Max tried to explain everything quickly.
"I know. Before the trip I did a little research. You need to grab her so I can force my hand inside its chest and touch her heart, or something like that, it was an old book, it'd free the energy she ate and kill her.". Maud's eyes grew bigger at his explanation.
"Its core, you have to touch its core". She sad excitedly. "I know where it is, it's where my life went when I died".
"We don't have much time, Y/N's been dead for four and a half minutes".
The three of them ran to it, Y/N and Maud grabbed it by what seemed like its arms but when Max tried to make his hand go through the shadow, it hit her chest like it was a hard surface. The Reaper angrily pushed them away and jumped on top of Y/N, starting to eat her life. Maud and Max were desperate, he looked at the entrance of the cave and saw Charles doing CPR on Y/N's body, giving it his all. He couldn't fail Charles, he promised him to bring his wife back to him, he couldn't let him down. Maud understood immediately what she had to do.
"You're not fully dead, not yet. But I can go through her. I can destroy her". Maud turned Max's head around and quickly pecked his lips. "I love you. Please go back and live the life we both deserved, live it fully".
With that, Maud ran to the shadow and forced her hand through its back, getting to her core. The shadow pushed her off and Max ran to Y/N to keep her safe. He looked back at Maud, their eyes meeting for a brief moment, then she didn't simply forced her hand, she forced her whole being into the shadows core, both of the exploding in a bright white light. Max felt different, he felt like he wasn't caged anymore, he felt light. Picking Y/N up, he dragged them both to the outside. Charles was there, stopping CPR to inject Max. The blond felt the shot of adrenaline through his body and in what felt like a blink, his eyes opened and he was looking at the sky, back in his body and back his age. He saw Charles going back to CPR, Max sat up as fast as he could and went to grab the defibrillator, he knew that Y/N was weak after what the shadow did to her, she needed a hand coming back. Charles cut her shirt open. Max placed the pads of the machine on her chest and followed the instructions it said out loud. The machine said "clear" and they both moved away from Y/N. Her body went stiff and then relaxed, then the machine informed that there was pulse again.
They went back to the town and straight to the hospital to have both Y/N and Max checked out. When they were given the green light, they told the Chief of Police about the cave, that was a lot bigger when they went back. The power of illusion the of the shadow made people believe that it was a small cave when it was actually a bigger one. Thirty-six bodies were found, Maud included. Her family did a little service for her and Max and Y/N got to say good-bye again. Y/N went back to visit her parents and then the three of them went back to Monaco. On the plain, Charles and Y/N talked.
"I'm sorry I lied, the truth is I was so ashamed of what happened, felt so guilty that I thought you'll never love me if you knew". She sighed and looked at him, trying not to cry. "I understand if you want a divorce. I know that everything I did, the lying, the hiding, it was all wrong". Charles took her hand and brought it to his lips, giving it a soft kiss.
"Do you remember that night at the bar, where you told me a secret so I could tell you one of mine?". She smiled at the memory, of course she remembered. It was the first time he finally let go and kissed her like he meant it. He kissed her with the love she wanted him to give her.
"Yeah, I could never forget". Charles sent her one of his signature smiles.
"'Today I was rooting for you, and even though you DNFd, I still feel like a winner when you look at me'. That was the truest and more honest thing you've ever said to me, I know that. So believe me when I tell you this: I've been feeling like a winner since the first time I laid my eyes on you, 20 years ago, on that karting race". She finally let her tears fall and he kissed them all before they could reach her jaw.
They had a lot to work on, a lot to overcome, but just like they overcame this madness, they would fix this too. Because they shared a little secret:
They were winners together.
•••••••••••••••••••••••••••••••••••••••••••••••
Okay! This was not my plan at all, I wanted to publish this TWO WEEKS AGO but shit happened and I couldn't. I'm really sorry for the cliff hanger.
So... the end! I cried my eyes out writing this one. I hope you guys liked this, I really enjoyed writing it. I hope you felt scared and happy and sad and had fun, that's the whole point of this.
I'll be active again, now that I think I will have more free time.
See you all on the next story!
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One thing or more that I have in common with every DRDT character (other than Mai and MonoTV)
Thank you to my sister @anemovictorious for giving me material for photos to use-
DRDT Memes, edits, drawings, and spoilers (Chap. 2, Ep. 11) down below (As well as my shit typing and wording skills)
Teruko:
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... I guess I have some trust issues due to anxiety- so....
Xander:
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Somewhat hindered eyesight- I mean- uh- I normally have hair in my face and my hair is pretty messy- and sometimes I do wear my hoodies like he wears his blazer- also- my sense of taste is fucked due to medicine that I take- Also I wear fingerless gloves a lot
Charles:
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We both have dog bite scars and wear oversized clothes- as well as sometimes I start talking in a more formal/sophisticated way ig
Ace:
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I used to be scared of everything for a long time. I also like mint. I also do not have good eating habits (Mine are nowhere near Ace's, I just don't have an appetite sometimes due to meds and I am a very picky eater) Also my body constantly is falling apart (Yet again, not like Ace's)
Arei:
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I used to bowl ig
Rose:
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A r t and t i r e d.
Hu:
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I don't like math-
Eden:
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Glasses- I also sometimes/most of the time have a high-pitched voice and I get emotional easily
Levi:
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I like sweets and I wear the color purple a lot
Arturo:
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THE ONLY THINGS WE HAVE IN COMON IS THAT I USED TO/STILL DO HAVE A SCALPEL THINGY FOR SOME REASON AND THAT I LIKE MINT ICE CREAM
Min:
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Hair in the face- we both like to wear comfy clothes
David:
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Motivation problems, weak willed in some ways, when I get upset due to other people, I do sometimes repeat stuff other people have said (if it's about me-) David does that- Example- MonoTV criticizes him for interrupting it's speech- David later says basically the same thing just in a ruder way. Also I believe Teruko says something about how everyone else is going to die, but also David says that in/after the first trial and then he pretty much said it during the second trial- Also, I guess I have similar clothing to him- and ik he doesn't like his star hairclip- but I do like celestial/galaxy things and would gladly wear it- and I can be sarcastic and snarky sometimes- I used to be worse with it in the past- Also August birthday-
Veronika:
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I like horror, not as much as she does- but still- We have the same birthday my natural hair color had streaks in it- I don't like boredom. I rant a lot when I like something-
J:
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I used to dress very girly when I was younger- I like doing SFX (Even if it's just SFX makeup-) I do not like pink by itself- I have dyed hair
Whit:
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I try to joke to distract myself tbh- I sometimes wear my hoodies/jackets like he does- but mine are long sleeved- I have dyed hair
Nico:
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I like animals a lot, I randomly make animal noises- (I legit make pigeon noises sometimes- but it's normally if I have a tic or something-) I sometimes don't really think about what I say/I accidently stay stuff that comes off as rude without meaning to
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door · 7 months ago
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Hello! How about 17, 41, and 44 for the book asks? 📚
hi hi! ty for asking. (link to asks)
17. Favorite finished book series.
oh god this is TOUGH. ok i can't do favourites, i'm very bad at favourites. i will list for you some that i love very much and which i revisit often.
the will darling adventures by kj charles (truly a triumph of a trilogy, i reread huge chunks of it after finishing death in the spires last weekend)
the sword dance trilogy by aj demas (another fantastic queer romance/mystery trilogy, set in a fictional ancient mediterraneanish world)
chrestomanci by diana wynne jones (lovelovelovelovelove)
edit to add: i knew there were manga i wanted to include!! CROSS GAME by Mitsuru Adachi and PLANETES by makoto yukimura
41. When you get ready for a week long trip to somewhere how many books do you download/pack inside the suitcase?
entirely depends on the kind of trip! when i go to beach with my family, i fill a tote bag with books + my kindle, because i will be reading interspersed with swimming nearly the entire time. i regularly read a book a day on those trips. if i'm expecting to be doing a lot of sight-seeing or socializing, i'll usually bring one book and/or my kindle. (the caveat to both of these is that i will always manage to bring home more books somehow.)
44. The book(s) whose stories have become part of your very makeup.
neverwhere, for obvious reasons lol. but there are so many. some things i read while very young, some that resonated with me due to place or setting.
i was talking about crooked house by agatha christie with a coworker yesterday because i read it when i was a kid and the twist so shocked me that it stayed with me, until i'd half convinced myself that i'd imagined it. many years later i mentioned this to a friend, who confirmed that yes, it existed, and what it was, and sometime after that someone sold a very cool paperback of it to the bookshop where i worked so i took it home and reread it. turns out i was right to remember it: it's very, very good.
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